Planeta Srbija

Naslov sve sam govori. Za sve ljubitelje “dark” zvuka prava poslastica…Diorama u Beogradu. Nadam se prvi u nizu EBM/gothic/stagod koncerata koji ce se odrzati u ovom gradu. Ja nesto i ne mirisem Dioramu ali od neceg mora da se pocne, zar ne? Vise detalja o ovom dogadjaju mozete naci na: Night promotions i Debris Files

Naslov sve sam govori. Za sve ljubitelje “dark” zvuka prava poslastica…Diorama u Beogradu. Nadam se prvi u nizu EBM/gothic/stagod koncerata koji ce se odrzati u ovom gradu. Ja nesto i ne mirisem Dioramu ali od neceg mora da se pocne, zar ne? Vise detalja o ovom dogadjaju mozete naci na: Night promotions i Debris Files

Ne sećam se da li sam na išta tako dugo čekao kao album beogradskog hi-tech / industrial benda BLAME. Znam, muziku sam čuo mnogo pre nego mi je u ruke došao CD. Preslušao album milion puta u poslednje dve godine. Ipak, osećaj koji se u meni rodio kada mi je čovek koji stoji iza projekta u ruke dao kutiju sa prepoznatiljvim plavim omotom…mmm…neopisivo. Možda se sada očekuje da napišen nešto o albumu…to se neće desiti. Pogledajte sajt benda, skinite koji sempl, javite mi se ako želite još…jer nešto poput BLAME do sada niste čuli. A ja nemam reči kojima bih opisao to što je BLAME.

It is a never ending audio-visual research based on endless and constant sampling of external, environmental impulses. Being sometimes naive and childish (and yet sometimes just simple) BLAME paints the world we – humans – shape for the future… for our future – be it for better or worse. In those eyes epic is not dead, and has never even died. It is just counting silently, waiting for new revelations and global changes to emerge from its illusion. Therefore: BLAME’s atmosphere and lyrics bear reflections on human posthistory, biblical machines, megastructures and the primary cause of the final, unstoppable decay – our torpidness. It’s about eidolons and machines. It’s about losing faith. It’s about longing for the final, endless winter, which should put us all asleep, before we get another chance to consume ourselves.

Posetite http://www.blame-music.com/

Ne sećam se da li sam na išta tako dugo čekao kao album beogradskog hi-tech / industrial benda BLAME. Znam, muziku sam čuo mnogo pre nego mi je u ruke došao CD. Preslušao album milion puta u poslednje dve godine. Ipak, osećaj koji se u meni rodio kada mi je čovek koji stoji iza projekta u ruke dao kutiju sa prepoznatiljvim plavim omotom…mmm…neopisivo. Možda se sada očekuje da napišen nešto o albumu…to se neće desiti. Pogledajte sajt benda, skinite koji sempl, javite mi se ako želite još…jer nešto poput BLAME do sada niste čuli. A ja nemam reči kojima bih opisao to što je BLAME.

It is a never ending audio-visual research based on endless and constant sampling of external, environmental impulses. Being sometimes naive and childish (and yet sometimes just simple) BLAME paints the world we – humans – shape for the future… for our future – be it for better or worse. In those eyes epic is not dead, and has never even died. It is just counting silently, waiting for new revelations and global changes to emerge from its illusion. Therefore: BLAME’s atmosphere and lyrics bear reflections on human posthistory, biblical machines, megastructures and the primary cause of the final, unstoppable decay – our torpidness. It’s about eidolons and machines. It’s about losing faith. It’s about longing for the final, endless winter, which should put us all asleep, before we get another chance to consume ourselves.

Posetite http://www.blame-music.com/